No, I don’t mean the cheeky, ripped cut-offs the young gals wear. I mean short stories in varying lengths between a few hundred words (flash fiction) and 10,000 or so, something to be read in a single sitting. Merriam-Webster defines a short story as “an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot.”
O-kay. I’m not sure I wholly agree with that simple definition, because—well, let me go back in time about four years. Orange County Chapter of Romance Writers of America decided to publish an anthology of short stories called Romancing the Pages written by some of its members. I’d never considered writing short and had read very few short stories through the years. But, I answered the call. It sounded easy. Come up with a simple romantic plot; dash off a few thousand words during the down time while working on my novel. Hey, it was a chance to get something published. “The Guy With the Dragon Tattoo” came in at around 2,500 words, took many weeks and many revisions to finish. But I kinda liked writing short, even though it was just as hard (maybe harder on some levels) than working through an entire 60,000-word novel.
But what is the appeal of short stories to the reader? Their appeal, as I mentioned, lies in the fact you can read most of them in one sitting, while getting your hair done, waiting to pick up Junior from soccer practice, that hour at night before turning off the lights. We live in a Snapchat, Twitter, sound bite world. There isn’t the angst associated with picking up a short to read versus an 80,000-word novel. Wow, don’t have time to devote to that tome, so I’ll save it for, um, later.
But why else read short? It’s a chance to try out different genres, authors, styles. Since writing “Dragon Tattoo,” I’ve read dozens and dozens of short stories across many genres and romance sub-genres. A few did focus mainly on creating a mood; many contained an exciting plot and delicious characters. The good stories contained a beginning, middle and end that satisfied like a hearty bowl full of Irish stew. I experienced a full range of emotion appropriate to the genre. I laughed, I cried, I cringed, I sighed.
A side-benefit? Instead of reading the back of my Cheerios box for the millionth time, I can get in a whole story during breakfast to satisfy my reading addiction. Short stories can encourage those who don’t regularly read to get in the habit.
This year, I once again had the opportunity to contribute to not one short story anthology, but two. My critique group, Writing Something Romantic, is working on an anthology called Love for Christmas, which we’re hoping to publish before the holidays. My story, “Charmed by Christmas Magic,” came in at 10,000 words. The other romance anthology, Secrets of Moonlight Cove, will publish in the next few weeks. Each fun story in the anthology takes place in the fictional California coastal town of Moonlight Cove, and references characters from the other stories. “Maggie’s Mystery Man” also runs 10,000 words. Look for announcements of both publication dates here, on Facebook and other social media. I hope you’ll give shorts a try. Bet you can’t read just one!